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1. Albert Dubois–Pillet french, 1846–1890 . Landscape at La Grande Jatte (Pré en contre–bas), 1884–86
Oil on canvas 10 5 ⁄ 8 x 7 3 ⁄
8 in. ( 27 x 18 . 9 cm)
Signed lower right
provenance: Felix Fénéon, Paris, by 1886 Private Collection, by 1967 Collection Régine and Guy Dulon, Beauchamp Sale Paris, Binoche Renaud-Giquello & Associés, June 19 , 2015 Stephen Ongpin Fine Art Private Collection since 2016 literature: Félix Fénéon. ‘L’Impressionnisme aux Tuileries’, L’Art Moderne de Bruxelles , 19 September 1886 . reprinted in Joan U. Halperin, ed., Félix Fénéon, Oeuvres plus que complètes, Geneva, 1970 , Vol.I, pp. 54 – 55 Lily Bazalgette. Albert Dubois-Pillet: sa vie et son oeuvre (1846–1890) . Villejuif, 1976 , p. 98 , pp. 162 – 163 , pp. 170 – 171 (as Pré en contre-bas and Paysage de la Grande Jatte ), not illustrated Marnin Young. ‘Fénéon’s Art Criticism,’ in Starr Figura, Isabelle Cahn and Philippe Peltier. Félix Fénéon: The Anarchist and the Avant-Garde . exhibition catalogue, MoMA: New York, 2020 , pp. 38 – 39 , fig. 20 exhibitions: Paris, Pavillon de la Ville de Paris. Troisième exposition de la Société des Artistes Indépendants . March–May 1887 . no. 153 (as Pré en contre-bas , lent by Fénéon)
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