Millet2022

8. Study for Harvesters Resting, Ruth and Boaz Etude pour Moissonneuses au repos, Ruth et Boaz

c. 1853 Graphite on paper 1 7 ⁄ 8 x 4 inches (2.54 x 10.16 cm.) Stamp lower left

PROVENANCE Collection of Henri Rouart, Paris, sold Hotel Drouot, April 21-22, 1913, one of three drawings framed together as lot 268; Collection Eric G. Carlson, New York. Numerous studies are known for Millet’s first major successful painting, Harvesters Resting , now in the collection of the Museum of Fine Arts, Boston. Millet conceived this painting as a depiction of the biblical story of Ruth, a poor widow who supported herself by gathering grain left behind by the harvesters. When the artist exhibited this work at the Salon of 1853, however, he changed the title to underscore its contemporary significance. The setting is the fertile plain of Chailly, breadbasket for much of France. In the 1850s rural France was increasingly owned by absentee landlords more interested in personal gain than in the welfare of the people who worked their fields. The gleaner’s meager bundle contrasts poignantly with the stacks of grain behind her, and Millet’s Boaz is not the landowner of the biblical story, but a sharecropper hired to work a rich man’s land. In this, as in so many of his works, Millet urges respect for the hardship and dignity of humble lives.

Study of a Man and Woman Asleep on a Haystack (Study for La Méridienne, or Noonday Rest) , black chalk on paper; Collection Paris, Musée d’Orsay